The Road View

Hanging

glory days: when jumping onto buildings was made with ease. One only has to fit through a toliet window, ninja walk the roof, put up old frosted ladders, warped by wind, sand, fire, and earth. Climb the ladder rope and sign, and hope that the wind does not blow it over...but this is what poeple who carrie first aid kits around their belts and have 911 on speed dial hope for "the danger of helping the fallen" The fort went up and no one went down.

Subtle Salutations

walking in to a building without an address is pretty ballsie, so we decided if there are no numbers on the building we would make letters to greet the lovely public that joined us at our function.

Thinking Big?

Have you ever wondered how ideas pop in to ones mind?
"Thinking Walls"
Images of the first FORT studio: Detroit, MI.

Post show and collective news

The show went well! FORT saw a lot of friends and was overwhelmed by the number of people who stopped in to show support, thanks guys that was huge. Thanks to Bonnie Obel for driving up all the way from Baltimore, and then rocking out on her Cello at the show!
Big thanks to John who snapped some great photos of the show I am glad to see that he is doing great work You can also check out more of John's artwork here.
In the New York Times Sunday, March 5th, 2006, in the Arts and Leisure section (section two), on the front page , there is an article about art collectives. The article is called "The Collective Conscious"it is written by Holland Cutter. Some collectives that are mentioned in the article are: Otabenga Jones & Associates, the Center for Land Use Interpretation, Critical Art ensemble, Claire Fontaine, ChanSchatz, 0100101110101101.ORG, Reena Spaulings (Gallery, and Novel), Bernadette Corporation, and the Wrong Gallery.